Replying to Minyon’s post:
has anyone ever wondered how he staves off the boredom. I mean at the speed he processes information, a normal conversation would seem to take forever. I actually remeber a story in one of the annuals where the whole thing took place from Wally’s POV, and the entire story was resolved in the time it took for an elevator to fall 2 floors. Normal life must be a real DRAG for the man.
Wally’s perceptions have changed from time to time. In the first issue, he runs several miles past Vandal Savage before the image even registers on his retina – which doesn’t make sense, because if that were true, how could he possibly run around things and dodge obstacles? Then in #30, there’s another story from Wally’s super-speed perspective. He and Connie go to a movie, and everything is taking place in normal speed, when suddenly the picture stops on one frame, and everyone in the theater (including Connie) freezes. He can’t figure out what’s going on, until he notices a pressure at the back of his neck. he turns around, and there’s a bullet hanging in mid-air. Suddenly he realizes his speed has reflexively switched on, and he goes around the theater looking for other bullets and stopping them before they actually hit anyone. He notices after a while that the picture’s moved to another frame (though realistically, the screen should’ve gone dark between frames), and decides he’d better hurry up. Once he’s confident he’s caught all the bullets, he goes over to the gunman and switches his perceptions back to normal speed (at which point a bullet he missed hits the exit sign). So at as far as William Messner-Loebs was concerned, Wally could switch from normal to hyper-speed perspective at will.
That elevator story– does anyone remember which annual it was in?